"And that is just the tip of the iceberg," I added. "But you not know that this tragedy it is all intentionally promoted, at least in America it is. The CIA covertly launched an operation in 1951 that promotes the self-isolation of society. Its opening fanfare was named the "Congress of Cultural Freedom." It was held in Berlin and set the stage for the New World Order based on freedom from culture. The imperial circles that the CIA serves require a society that is isolated from the principles of its humanity and from one another. A society that is isolated from its humanity is more easily controlled and more readily looted. It becomes tolerant of wars, torture, inhumanities, and genocide, which are all on the imperial agenda and have been throughout the ages. Sexual isolation is their fast track method towards this end. This method was put into high gear two years after the CIA's project for freedom from culture was launched. The fast-track process was started around Christmas time in 1953 in the form of the startup by Hugh Hefner of the Playboy magazine. The magazine has put pornography on the table of mainstream America ever since. The project became a huge success for Hefner and the imperial crowd, and a tragedy for society. Sexual intimacy was displaced with sexual fantasy, and yes, the pronography was promoted under the banner of sexual freedom and freedom from culture. The timing suggests to me that Hefner was 'recruited' for this project, though that he might not have been aware of it himself.

      "A few decades later, when the isolation of society from its humanity had permeated society with a growing inhumanity, the next attack on human intimacy, the AIDS project was launched. The first AIDS strain was engineered to target primarily the homosexual intercourse for its propagation. This particular strain was spread via a vaccine across the homosexual community in America. A second strain was engineered after that, which specifically targeted the heterosexual intercourse for its transmission. This strain was spread across Africa a year later to depopulate the continent in order that its mineral resources would remain preserved for the future needs of the Western empire."

      Indira shuddered, but motioned me to go on.

      "While AIDS killed countless millions in Africa," I said, "and spread from there across the world, its bigger impact was likely its terror with which it drove the wedge deeper for the sexual isolation of society and its subsequent isolation from its humanity. In the years following, together with pornography exploding across the internet, the combined dehumanizing effect has become so deep reaching that society tolerates global looting, state terror, legalized torture, endless wars and the worst inhumanities, even genocide. We've become a society without a soul, Indira, and without a human heart. I would say that the effect of pornography has been more quietly devastating in America than we dare to imagine."

      "I don't see the eroticism that we find in the temples as pornography," Indira interrupted. "I see it as a display of intimacy that is actually inspiring, and probably did inspire intimacies in the population."

      "Unless the intimacy was in the population first," I interjected, "and the temples were created to celebrate it. One can't bring to the temple what one doesn't have at home. So, it wasn't a porno-society that has built these temples, because such a society invariably destroys itself in its porno-self-isolation. Instead we see a richly vibrant society standing behind these temples. Nothing less could have built so many of then in so short a time. Nothing short of a renaissance-society could have accomplished such a feat. A broken-down society as we have it today in America wouldn't have been able to build those 85 grandiose monuments to their humanity in so short a time, with which to celebrate their humanity and their gods that represented it. You won't find any of that in America today. The people here have build these gigantic monuments without power tools, without diamond saws to cut the stone, without electric cranes to lift the stone blocks into place, and without air-powered chisels and grinders to carve out the thousands of sculptures."

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Stories about  Healing from novels by Rolf A. F. Witzsche